Dennis Nyback Films For Europe Spring 2005
 
In 1995 I made my first film tour of Europe.  Since then I have made seven more film tours of Europe and also showed films in Japan, Korea, Australia, Iceland, England, and other places around the world and in many cities in the USA.  I am now concentrating on writing and this could be that 2005 will be my last tour of Europe.   In 1995 I presented Bad Bugs Bunny.  It remains the most popular film program I have created.  To mark the anniversary I am bringing it back to Europe starting April 5, 2005. I will stay a minimum of a month.  I will also bring two  new shows.  My second animation show will be The World Festival of Puppet Animation.   My live action shorts program will be Really the Blues.   Details about these three programs will be found below.
 
My in person fee for this year will be the same as last year: 220 Euros for one program,  330 Euros for two and 400 Euros for three.   I will also need a private place to sleep and dinner the night of a show.  As usual I will pay for my own transportation to venues.   I now have a website which should help in getting people to come to my shows:  www.dennisnybackfilms.com  There are clips from Jammin the Blues and Gumby Racer in streaming video at  http://dennisnybackfilms.com/filmclips/film_clips.htm so you can get a taste of the films I will be showing. 
 
Bad Bugs Bunny: The Dark Side of Warner Brothers Animation
 
After showing Bad Bugs Bunny in thirty cities in Europe in 1995 it showed in Australia and Great Britain.  I was still getting requests for it in 1999 and showed it in two cities in Europe including  Gothenburg where it drew a crowd of eight hundred people.  It is comprised of ten suppressed cartoons that  show the true history of America:  Sex, Violence and Racism! None of these cartoons has been issued on commercial video tape in their complete, uncensored form. The first big attempt to rewrite the past and censor cartoons was in 1968.  Eleven Warner Brothers cartoons were selected to never be shown again.  Three of those cartoons are in this program in their complete, original form.   I use Bugs Bunny as the icon for the greater output of Warner Brothers animation.  Bugs Bunny does not appear in every cartoon.  I have tried to make this an equal opportunity offensive program with cartoons insulting as many ethnic groups and sensibilities as possible.  The lawyers for Warner Brothers have tried to stop me from showing this program.  This is not the complete program but these are all copywrite free and in the public domain.
 
Hare Ribbin  (Bob Clampett 1946)  This is the original version of this cartoon with the homicide ending that was changed to suicide  a month or so after it came out.  See Bugs commit violent murder.
 
He Was Her Man  (Friz Freleng  1937)   A long suppressed cartoon due to it's extreme violence toward women.
 
Sioux Me (Ben Hardaway, 1939)  Native American stereotypes galore. The rainmaker must produce rain or the chief will slit his throat. 

Let It Be Me  (Friz Freleng, 1936) Caricature of Bing Crosby as a woman abusing cad. He successfully sued Warner?s to stop the showing of this cartoon. 

Ali Baba Bound  (Bob Clampett, 1940)  Porky Pig battles stereotyped Arabs.  This includes a tasteless joke about  a suicide bomber.

All This And Rabbit Stew (1943) One of the original censored 11.  Bugs Bunny and a Step N Fetchit type black man. In the 1950's this cartoon was remade using all of the cells except for the black man. Elmer Fudd replaced him.

The World Festival of Puppet Animation 
 
Historic puppet and stop motion animation from around the world.  The two great masters of Puppet animation are featured:  Wladyslaw Starewicz and George Pal.  The films are from 1909 to 1949.  The development of puppet animation can be seen. 
 
The Automatic Moving Company  (Emile Cohl, France, 1909)  Emile Cohl was the first animator.  This is a great example of stop motion animation.  A moving company arrives with no driver at an apartment.  All of the boxes and furniture get out of the truck, unpack, assemble in the room, sweep up and leave, with no human beings to help. 
 
The Revenge of the Kinomograph Kameraman (1912, Wladyslaw Starewicz, Russia)  A truly amazing puppet animation tale using insects to tell a tale of lust, betrayal, violence and redemption.  Many modern animators have copied the work of Starewicz including Tim Burton,  Jan Svankmajer, The Quay Brothers, and creators of Toy Story. 
 
 La Voix du rossignol aka The Voice of the Nightingale (1922, Wladyslaw Starewicz, France) Starewicz was forced to flee Russia during the revolution.  He settled in France where he lived and worked for the rest of his life.  This is a beautiful rendition of the famous folk tale in beautiful "Prizma Colour."
 
It's A Bird  (1930, Charlie Bowers, USA)  Charlie Bowers was one of the first and best masters of stop motion puppet animation. He worked as early as in 1916 and trained many others in the art of animation.  This live action and animated short features what he called "The Bowers Process."  It has to be seen to be believed. Mr. Bowers was born in 1889 and died in 1946.  An added bonus of It's a Bird is that he acts in it in the main role (not the bird, he is Charley Chucklehead).
 
Phillips Broadcast of 1938 (1938, George Pal, Einhoven Holland)  George Pal was born in 1908 in Cegled Hungary. George Pal and his wife traveled around Europe in the early thirties one step ahead of the Gestapo.  He established his "Dollywood" studio in Holland in the mid thirties and moved to America in 1939.  This is a fabulous cartoon.
 
Jack and the Beanstalk (1955, Lotte Reiniger,  Berlin)  Lotte Reiniger worked in the exacting medium of silhouette animation.  She was born in Berlin in 1899 and began creating her beautiful creations in 1919.  She continued to work through 1975 and died in 1981. 
 
Alice in Wonderland  (1950, Lou Bunin, England)  Lou Bunin was born in 1904 and began working with puppets in the thirties.  He produced a feature length live action and puppet version of Alice in Wonderland in 1950.  This is ten minute condensed version of the feature which features the actress Joan Marsh and some marvelous puppets. 
 
Hot Lips Jasper (1945,  George Pal, USA)  Another example of the fabulous artistry of George Pal.  He created a series of cartoons featuring the black character Jasper.  This one has Louis Armstrong losing his trumpet, which Jasper finds.  George Pal is now mostly remembered for his feature length movies Tom Thumb, The Time Machine, and the Seven Faces of of Dr. Lao which he made in the fifties and sixties after stopping his short film productions. 
 
Gumby Racer  (1957, Art Clokey, USA)  This is the favorite of all my Gumby cartoons.  The race in this is much better than the race in Star Wars - Phantom Menace.
 
Really The Blues
 
100 minutes of vintage blues music on film. It is shame that almost all of the great blues stars of the twenties and thirties were never filmed.  That said, this show will feature the only known film of the Empress of the Blues, Bessie Smith, from  1929.  It will also have Billie Holiday, Jimmie Rushing, Sonny Terry and Brownie McGee, Thelonius Monk, Lester Young, Count Basie, and a slew of other great musicians playing REAL BLUES and BOOGIE WOOGIE.  That is not to be confused with the electric blues that passes for blues music today.  All of the films will be from 1929 to 1964. 
 
Jammin' The Blues (1944, Gjon Mili)  There are those who consider this the greatest music short ever made.  Oh, those are older people who do not consider anything on MTV as in the running.  It is a great work of art featuring Lester Young, Illinois Jacquet,  Sweets Edison, Big Sid Catlett, Barney Kessel, and other greats.  It really cooks!
 
The Sound of Jazz (1957, CBS)  This was a TV show broadcast live just in time to capture some of the greatest acts of all time before they died.  Billie Holiday, Lester Young and Pee Wee Russell all died with two years of the broadcast.  The show makes the point that all jazz is based on blues.  It assembled this amazing group of stars to prove that point.  Coleman Hawkins,  Count Basie, Thelonious Monk, Red Allen, Milt Hinton, Jimmie Rushing, Jo Jones and many others play a dozen great blues numbers including I Left My Baby (Jimmie Rushing),  Dickie's Dream (The Basie Band) and Fine and Mellow (Billie Holiday). 
 
Minor Mode Blues (1962,  National Council of Churches)  The Max Roach Quintette with Booker Little played on and appeared in a religious TV show called The Hipster, the Delinquent and the Square.  This instrumental blues number is from the middle of the show.  Booker Little was a real good trumpet player who joined Max Roach after Clifford Brown was killed.
 
Bald Headed Woman (1964, TV)  Harry Belefonte sings the blues.
 
Hootie Blues  (1964, TV)  Brownie McGee and Sonny Terry were a blues team that worked together from 1939 until Sonny died in 1986.  This clip of them playing their composition Hootie Blues is from a Harry Belefonte TV show.
 
Fare Thee Well   (1943, Soundies Corporation)  Not a lot is known about the gospel group Day, Dusk and Dawn.  I'm really glad they appeared in this film because without it they might be completely forgotten. It is a real treat.
 
Rumboogie (1942, Soundies Corporation)  Another forgotten guy saved by appearing in a Soundie was the rockin blues man Maurice Rocco.  Little Richard and Jerry Lee Lewis both copied his act.  See it here. 
 
Cheating Woman Blues  (1943 Soundies Corporation)  Cowboy singer Red River Dave in a saloon sings about the woman who done him wrong and has brought to thoughts of violence and suicide.
 
I'm A Good Good Woman  (1943 Soundies Corporation)  Una Mae Carlise plays boogie woogie piano and sings.
 
Ration Blues  (1942 Soundies Corporation)  The great Louis Jordan and his Tympanee Five rock the blues.
 
St. Louis Blues (1929, Dudley Murphy)  The only film ever made of the Empress of the Blues herself, Bessie Smith.  One of the greatest things about film is that it allows us to look at the twentieth Century.  There is no previous century we can examine in the same way.  If this film did not exist the true greatness of Bessie Smith would be harder to appreciate. 

Dennis Nyback

georgeeliot@earthlink.net
 

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